Young Vic
Venue Information
- How to book (Phone)
- 020 7922 2922
- [email protected]
- Wheelchairs
- Main House x 2 spaces. Maria x 1 space. Clare x 1 space.
- Sound amplification
- Sennheiser Infrared (all)
- Audio description
- There is an automated set of doors with release button to the right at the front of the theatre. A lift rises to the next level (at the back of the bar space) There are some steps within the auditorium but these differ with each show. Seats can be reserved to meet varying needs.
- Street to foyer
- Level access
- Foyer to seat
- Downstairs step free, 10 steps to Balcony (Main House, Maria & Clare)
- Level access
- Yes
- Lift / stair lift / ramp
- Lift (all)
- Bars
- The Cut Bar at the Young Vic serves an inspired mix of classic and original dishes from fresh, free-range and organic ingredients. Specials evolve with the season at the Young Vic. Mostly authentic, always playful - specials reflect geographical, ethnic or textual themes.
- Toilets
- Mens and Womens on all levels. Disabled toilets on Ground Floor and 1st Floor
- Air conditioning
- Yes
- Accepts Theatre Tokens
- Yes
The Young Vic theatre began its life as an offshoot of the Old Vic – the first residence of the Royal National Theatre under Laurence Olivier. ‘Here’, Olivier said, ‘we think to develop plays for young audiences, an experimental workshop for authors, actors and producers.’
The company was led by Frank Dunlop, a Royal National Theatre Associate Director and founder of the Pop Theatre in Edinburgh. Dunlop wanted to create a new kind of theatre for a new generation – one that was unconventional, classless, open, circus-like and cheap. He was inspired by influential French actor and director Jean Vilar, who claimed that theatre should be as indispensable to life as bread and wine. The Young Vic was conceived as a ‘paperback’ theatre, where high-quality work would be made available to all at low cost.
The theatre was built on The Cut just down the road from the Old Vic, on a bomb-site where 54 people sheltering in a bakery had died during the Second World War. The theatre building was designed by Bill Howell. It was erected at a cost of £60,000 and was intended to last for just five years. Frank Dunlop was followed as artistic director by Michael Bogdanov, then Dunlop for two more years, then by David Thacker who was succeeded initially by Julia Bardsley and Tim Supple as joint artistic directors, then by Supple on his own. Under these various leaders, the Young Vic’s vital and ambitious work continued for thirty years.
By 2000, when current artistic director David Lan joined the company, the fabric of the theatre was crumbling. From 2004-2006, the Young Vic went on ‘Walkabout’ while the theatre was rebuilt, co-producing 22 shows over 22 months with 20 companies across the UK and internationally, before returning to a redesigned theatre which continues to celebrate the Young Vic’s provisional aesthetic and the perfect proportions of its auditorium.